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Bandha
is a special characteristic of Hatha Yoga. The various
types of bandhas have been described in Yoga texts.
However none of them defines the term "Bandh" as such.
The three types of bandhas, viz Jalandhar Bandh, Uddiyan
Bandh and Mul Bandh have been described in many of the
ancient texts. With the help of these descriptions, an
attempt may be made to define the bandhas. Bandh may be
defined as a particular action involving pressure or
strain on the muscles. It is expected in Yoga to retain
a firm pose in bandh as it is retained in the asanas.
The bandhas are to be studied mainly while studying
pranayama.
We will
study pranayam in detail afterwards. Bandhas have been
described in Hathapradeepika in the chapter relating to
Mudras. In all, 10 mudras have been described in it. The
chapter describes all the three bandhas as mudras.
MULBANDHA
Introduction
:
This bandh
relates mainly to the muscles of the anus, penis and the
muscles located nearby. The muladhar chakra is supposed
to be located near penis. Hence this bandh relates to
muladhar chakra and is termed as mulbandh. Also it
relates to the base of the spine, this may be the other
reason for naming it as such because 'mul' means root or
base.
Preposition :
If the bandh
is to be performed ideally it should be performed in
Siddhasan. Otherwise it may also be performed in
Padmasan. But Siddhasan is supposed to be the ideal
preposition.
Action of
the bandh :
After
sitting in Siddhasan, the left heel is properly placed
under the penis. The weight of the body creates pressure
on that part. After achieving a firm pose, the anal
muscles and the other surrounding muscles should be
contracted and moved upwards. This is the pose of the
mulbandh.
The anus has
two muscles. One inside and the other outside. Both
these muscles are round. It is expected in this bandh to
contract these muscles and to lift them upwards.
However, these muscles alone are not to be contracted
and lifted but the other surrounding muscles should also
be similarly contracted and lifted. The muscles of the
penis are also to be lifted in this bandh. Achieving
pose in this bandh is easier, however it is important to
be in the same pose for a while. This is difficult and
requires quite a bit of practice.
Physical
Effects :
The muscles
which are not generally used, are contracted in this
bandh. This results in more blood supply to these
muscles thereby improving their efficiency. This is the
obvious benefit of this bandh. Also, the muscles
surrounding Muladhar Chakra are contracted and the
pressure of such contraction is definitely felt on the
Muladhar Chakra. Kundalini power, which is supposed to
be residing at the chakra, is awakened due to the
practice of this bandh. However, it cannot be definitely
stated as to the duration for which the bandh is to be
practiced for such awakening of the Kundalini power. The
beneficial effect of this bandh is also felt on the
nerves attached to the muscles involved in the bandh. It
is stated that the bandh is to be practiced while doing
Pranayam. While performing pranayam, the blood is
accumulated around the waist. Practice of this bandh
results in circulation of this accumulated blood.
Duration
:
The real
study and practice of this bandh is to retain it for
maximum period. A duration of 5 to 120 seconds may not
generate beneficial effects of this bandh. The bandh has
to be retained for at least 3 to 4 minutes. With further
practice, the duration can be increased to 5 minutes.
Precaution :
If the bandh
is not performed properly, it can affect the digestive
system in a bad way. This results in indigestion or
similar other ailments of the digestive system. Hence,
the bandh should be practiced under expert guidance.
Persons
suffering from hernia, piles etc should not as far as
possible perform this bandh. If such a person wants to
perform this bandh, onset of any symptoms described
above should be immediately reported to experts and the
bandh performed under their guidance.
References in the ancient texts :
The bandh
has been described thoroughly in the third chapter of
Hathapradeepika.
Parshnibhagen sampeedya yonimakunchayet gudam |
Apanmurdhwamakrushya mulbandhobhidhiyate || 3-61
Meaning :
The heel
should press the penis, the muscles of the anus should
be contracted and the gas ( apan vayu ) should be lifted
upwards. This results in mulbandh pose. Further it is
described as :
Adhogatimapan va urdhwargam kurushalat |
Aakunchanen tam prahurmulbandham hi yoginah || 3-62
Parnapanou
nadbindu mulbandhen chaikatam |
Gatva yogasya samsiddhidam gachshato natra samshayah ||
3-63
Meaning :
Apan vayu is
generally in the downward direction. With deliberate
contraction of the anal muscles, the apan vayu is lifted
upwards. This is known as mulbandh. The bandh is to be
performed till the time the gas is forced upwards.
Hathapradeepika in further shlokas describe this bandh
as, when the pran and apan and the sound and the point
(nad and bindu) will merge with each other due to this
bandh, then one can be said to succeed in yoga.
The effects
of this bandh are described as under :
Apanpranayoraikyam kshayo mutrapurishayoh |
Yuva bhavati vrudhopi satatam mulbandhanat || 3-65
Meaning :
The regular study of the mulbandh results in merging
apan and prana. The excretions are minimized and an old
person is transformed into a young one.
Though, as a
matter of practice, an old person may not be transformed
into a youth, the general meaning can be guessed as
disappearance of the signs of old age with return of the
enthusiasm associated with youth.
The next
four shlokas in Hathapradeepika describe how the bandh
is related to awakening of Kundalini power.
Hathapradeepika says that when the apan vayu is forced
upwards, it enters the vanhimandal. The pressure of this
vayu results in increasing the fire. Apan vayu and this
fire heats the prana. This results in precipitating the
fire in the stomach. The kundalini power, which is
supposed to be asleep, awakens like a snake hit by a
stick It then enters the sushumna nadi ( brahma nadi )
as if snake entering its hole. Hence, every sadhaka must
study this mulbandh daily.
The
thirteenth shloka in the third chapter of Gherandsamhita
describes this bandh. The description is as given above
as in Hathapradeepika. However, the effects of this
bandh are described as under:
Mulbandhah
paro bandho jaramarannashanah |
Prasadadasya bandhasya sadhayetsarvavanchitam || 3-18
Meaning :
This is a superior type of bandh, which results in
destruction of old age and the death. The study of this
bandh results in satisfying any desire.
This
description too is a bit exaggerated. However, the real
meaning behind it is to be guessed and the bandh must be
studied.
UDDIYAN
BANDHA
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Introduction :
This
bandh involves movement of the muscles of the
stomach and especially the muscles of the diaphragm.
The movement is important and characteristic. Hatha
yoga assigns a special importance to Uddiyan
Bandh. The study of Pranayam is not complete without
studying this bandh. While performing this bandh,
the muscle of the diaphragm is stretched in upward
direction; hence this bandh is termed as Uddiyan
Bandh. Also, this bandh is useful for awakening of
Kundalini Shakti while making spiritual progress,
hence it may have been termed as Uddiyan Bandh. |
Pre-position :
The bandh
involves action of muscles of the stomach and hence it
may be performed while being in Standing Pose or Sitting
Pose. The bandh can also be performed while being in
Padmasan, Siddhasan, Vajrasan and while practising
pranayam. Or it may be performed independently while
being in these asanas too. However, for the new entrants
in the field, it is advisable to study the bandh, while
being in standing pose. It is easier to learn this bandh
while in standing pose and it can be performed
effectively too. Hence, here the bandh has been
explained while being in standing pose.
To
perform the bandh :
-
Stand up
with distance of 1 to 1.5 feet between the legs
-
Bend a
little in the knees and place left palm on the left
knee and right palm on the right knee.
-
Bend the
shoulders a little towards the front and the neck also
towards the front so that the weight of the body is
shifted onto the knees through the hands. This reduces
the strain on the stomach and the muscles of the
stomach can be relaxed.
-
Inhale
deeply and then exhale gradually.
While
exhaling, try to shift the muscles of the stomach
towards inner side. Lift up the ribs a little bit and
push the muscles from within with a gentle push towards
the upward direction. The muscles of the stomach must be
relaxed at this time, so that they can be pushed up.
This results in muscles of diaphragm being pushed
upwards. This is the final stage of Uddiyan Bandh. Try
to remain firmly in this pose. This pose is to be
retained when the breath is fully exhaled. When there is
an urgent need to inhale, the bandh must be released
gradually as under.
Releasing
the bandh pose :
-
Relax the
muscles of the stomach so that they are slowly
released back to the normal position. Diaphragm will
also be released to the normal pose.
-
Relax the
pressure in the shoulders and neck area and start
inhaling gradually.
-
After
inhaling completely, bring back the hands into the
normal pose and straighten out the bent knees.
-
Join both
the legs together and come back into the standing
pose.
Important
aspects of the bandh :
The pose
involves pressure on the knees with the help of both the
hands and retaining a firm pose with a particular
pressure on the neck and shoulder muscles. The weight of
the body is shifted onto the knees due to the pose. This
relaxes the muscles of the stomach and the diaphragm. In
this position, the muscles of the stomach are pushed
inwards and the muscles of the diaphragm are pushed
upwards. The ribs are lifted up a little bit and the
chest is broadened. All these actions are performed
simultaneously. However, the pose is to be attained
after exhaling the breath completely. An attempt is made
to inhale without actually inhaling the air into the
lungs. This attempt results in expanding the ribs but as
the air is not inhaled, the diaphragm is pushed upwards.
This is the main part to be achieved while in this
bandh. The stomach is pulled in and the navel pushed
upwards. Further the muscles of the stomach must be
relaxed while in this bandh. The more the relaxation,
the better the performance of the bandh.
During this
bandh, the stomach is taken considerably inside and a
vacuum is created in it. A little bit bending of the
shoulders in forward direction will prove useful for
this bandh. Once the pose is achieved, it is essential
to be in that pose for some time. However, all this
time, the breath must be exhaled. The pose is to be
retained after exhalation of the breath and till the
time an urge is felt for inhalation. When the urge is
felt, all the muscles should be gradually relaxed and
brought back to the original position and then the
breath should be inhaled. Inhalation should not take
place before bringing the muscles to the original state.
Physical
Effects :
The
diaphragm is moved to a great extent in this bandh,
hence the muscles of the diaphragm get well exercised
and this movement also helps in the regular breathing.
When the strength and the efficiency of diaphragm is
improved, the breathing system also works more
efficiently. Also, it is discovered after research that
the organs in the stomach develop a negative pressure in
this Uddiyan bandh. Due to such negative pressure, the
blood supply to these organs is improved. The difference
between the negative pressure during this bandh and the
normal pressures resumed after relaxation, increases
friction on the internal organs such as stomach, small
intestines, liver etc. thereby improving their
efficiency. This also results in improving the secretion
of the digestive juices. The bandh involves movement, as
if one is inhaling, however actual air is not inhaled,
hence this creates negative pressure on the lungs and
the heart. This also results in affimproving their
efficiency. Due to this negative pressure, the blood
circulation in the heart is increased. The bandh also
helps in improving the digestive system. It may also be
affecting several other organs of the body. However,
further research is necessary to find out all such
effects.
It is stated
in various ancient texts that apart from these benefits,
the bandh is also useful for spiritual progress and
awakening of Kundalini power. The bandh is indispensable
for the study of pranayama. The air pressure resulting
in pranayama is regulated in proper direction due to the
position of this bandh. Otherwise, such pressures can
create harmful effects on the body. Hence, this bandh is
indispensable in pranayama.
Duration
:
The bandh
action is to be performed after exhaling completely. The
proper duration for the bandh is the time for which it
can be retained comfortably but firmly after exhalation
and without inhaling. Inhalation should not be immediate
after releasing the bandh pose. The inhalation i.e.
pooraka after releasing the bandh has to be in a
controlled manner. Hence, the bandh is to be retained
till the time it can be easily retained after complete
rechaka. After releasing the bandh, the pooraka should
be performed gradually. In the initial stages, the bandh
cannot be maintained even for 10 to 15 seconds. However,
after proper practice, it can be firmly maintained for 1
to 2 minutes. If after achieving bandh pose, all the
other muscles of the body are relaxed, the bandh can be
maintained for a little more duration. Because in a
relaxed state of the body, the need for oxygen is
reduced and the oxygen present in the body can be used
up for a little more time. Hence, the bandh duration can
also be increased.
Precaution :
Persons
suffering from stomach ailments, heart troubles or
defective blood circulation should not attempt to
perform the bandh. Persons suffering from diseases like
hernia too should not perform this bandh.
While
performing Uddiyan bandh, it is to be performed after
exhalation. This is the proper method while studying
this bandh independently. However, while practising this
bandh during pranayama, the pose of the bandh is to be
taken while being in kumbhaka.
References in the ancient texts :
The third
chapter in Hathapradeepika describes ten mudras. Uddiyan
bandh has been described as one of the mudras. The
writer of Hathapradeepika explains why this mudra is
termed as Uddiyan bandh as follows :
Badhho yen
sushumnayam pranastuddiyate yatah |
Tasmaduddiyanakhyoyam yogibhihi samudahrutah || 3-55
Meaning :
The prana (Zeal) in the body is raised (A:… awakened
? )due to the performance of this bandh, hence this
bandh is termed as Uddiyan bandh.
The action
of this bandh is described as under :
Udare
paschimam tanam nabherudhwaram cha karayet |
Uddiyano hyasou bandho mrityumatang kesari || 3-57
Meaning :
The stomach
is to be pressed inwards and the navel upwards. This
process is known as Uddiyan bandh. This action is like
lion killing elephant which represents death. Nowhere in
the process, it is described that the bandh is to be
performed after exhalation. This part was taught as a
matter of master-disciple tradition and hence perhaps
not explained in detail in the shloka.
The effects
of this bandh have been described as under :
Uddiyanam tu
sahajam gurunam kathitam sada |
Abhyasetsatatam yastu vruddhopi tarunayate || 3-58
Meaning :
If the bandh
is practised constantly and regularly as taught by the
Guru, even an old man can be transformed into a young
one.
The effects
have been a bit exaggerated over here, however the
hidden meaning is to be understood. The bandh causes
certain beneficial effects on the body, which in turn
result in youth like state of the body full of
enthusiasm.
The next
shloka describes as under :
Nabherurdhwamadhaschapi tanam kuryatprayatnatah |
Shanmasbhyasenmrutyum jayatyeva na samshayah || 3-59
Meaning :
If a sadhaka
practices stretching the navel, the portion below the
navel and the upper part of the stomach towards back and
upward direction, regularly for a period of six months,
there is no doubt that he can win over the death.
This
description is also a bit exaggerated. However the logic
behind it must be understood. We should not blindly
believe that practising this bandh for six months will
win over the death, but still we should study the bandh
regularly so that its beneficial effects on the body
will result in increasing our life span. A shloka after
this describes that the study of this bandh results in
leading the sadhaka easily onto the path of mukti.
JALANDHAR
BANDHA
Introduction :
It is
difficult to explain why this bandh is known as
Jalandhar Bandh. However, one may guess that Rishi
Jalandhar might have defined the act of this bandh for
the first time, and the same was named after him. (In
Yoga, sometimes the actions are known by the name of the
Rishis, such as Matsyendrasan, Gorakshasan etc.)
If we try to
trace the meaning of the word Jalandhar, " Jal " means "
Net ", in this case, net of Nadis (energy channels) and
the word " Dhar " means to stop or to hold the flow of
the fluid (Amrut), flowing through the nadis. However,
let us understand the action behind this bandh instead
of discussing its name or origin.
Action :
Pre-position :
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This
bandh can be achieved without getting into any asana
pose. But generally, it is studied in Padmasan or
any other asana specified for Dhyana Process.
Padmasan or Siddhasan are considered as the best
positions to practice this bandh.
To
perform the Bandh :
In this
bandh, it is expected to contract the muscles of the
neck and to press the chin firmly on to the
depression at the end of the throat (jugular notch). |
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SIDDHASANA
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The neck
is to be bent a little for achieving this bandh. But
it should not be bent much. It is to be pressed onto
the depression just as a spring is pressed with a
little force. The release of the force brings the
spring back into normal position. The same principle
is to be applied in this bandh. Since all the
muscles of the neck and the throat are contracted
totally, a force is exerted onto the seven paths in
the throat. The presence of the force interferes
with the breathing process. Hence, this bandh is to
be attained after Pooraka and is to be released
before Rechaka. The bandh is necessary in Kumbhaka. |

JALANDHAR BANDHA
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Physical
Effects :
Nowhere, the
effects of this bandh on the body have been clearly
defined. However, effects can be enumerated on the basis
of experiments carried out at Kaivalyadham, Lonavala and
other observations while teaching and studying this
bandh.
Due to the
particular action of the neck required to achieve this
bandh, it is pressed forward and the spinal cord gets a
little bit lifted upwards. The force of this action is
felt on the spinal cord. Spinal cord has the utmost
importance in the control of the body. With this force,
the circulation of blood increases thereby increasing
the efficiency of the spinal cord.
The bandh
also affects " Vidyan Nadi " which passes through the
neck. It is the only blood vessel passing below the
neck. It is divided into two parts, which move towards
the brain. These are known as Carotid Arteries. These
arteries pass from both the sides of the neck to the
brain. The beats of the heart can be easily felt if the
neck is bent backwards, the pulse is felt on both the
sides below the jaw. The area where the blood vessel is
divided into two parts is a little bit flat and is known
as Carotid Sinus. The wall covering Carotid Sinus is
thin and can easily get affected by inner or outside
pressure. The nerve passing from here to the brain is
known as Carotid Nerve. It goes high up into the skull
and then down into the brain. This nerve is related to
internal carotid, external carotid and carotid sinus.
The pressure exerted on this nerve is transmitted to the
brain. The pressure can be exerted from outside too.
This process is attempted in the Jalandhar Bandh. Due to
the peculiar position of the neck, the pressure is
exerted on carotid sinus and the nerves are activated to
send a signal to the brain. The brain activates its
machinery to lower the blood pressure, so that the
muscles of the heart start functioning slowly. The heart
beats are reduced. The reason why this happens is that
the position of the bandh lessens the blood supply to
the carotid artery. The reduction in the blood supply to
the brain slows down the body activities and the
practitioner can observe the complete stillness of body
and mind. But to achieve this position, the bandh has to
be practised for a number of years. After putting in
enough practice, the yogasadhaka can achieve such elated
state of mind wherein he can forget the outside world
and even the awareness of his own body. Most of the
functions of the body are stopped and the sadhaka can
progress towards samadhi. However, with even a little
bit of study and practice of this bandh, sadhaka can
achieve calm and quiet mind devoid of any thoughts and
the nearly lifeless body. The state is pleasurable.
The messages
are passed on from carotid sinus to that centre in the
brain which regulates the blood pressure. The pressure
on the carotid sinus is transmitted to the brain in the
form of messages and accordingly the blood pressure is
reduced. This is the plan of the nature to reduce the
increased blood pressure. In pranayam, there is a
possibility of increasing the blood pressure while
performing Kumbhaka. Hence, achieving Jalandhar Bandh
before Kumbhaka automatically results in controlling the
bloodpressure. This is a major benefit of Jalandhar
Bandh.
There is
another important benefit of this bandh. The bandh is
advised in Pranayam after Pooraka. Kumbhaka is observed
after Pooraka. At the time of observing Kumbhaka , the
increased pressure on the inhaled air, results in air
trying to find out an escape route. Since the usual path
of escape i e the nostrils are closed, the air tries to
enter eustachian tube and finds a way behind the ear
drums. The increased pressure on the eardrums is not
advisable and can cause a lot of complaints. However,
the position of the pressed neck in Jalandhar Bandh
stops this inhaled air from entering into these routes
and the eardrums are saved from the ill effects.
Duration
:
This bandh
is to be observed after Pooraka and before Kumbhaka.
After Kumbhka, the bandh is to be released before
practising Rechaka. Hence, the duration of Kumbhaka is
the duration for this bandh too. Instead of practicing
this bandh independently, it is to be practiced while
practicing Pranayam.
Precaution :
The bandh is
not to be practiced by persons suffering from breath
related problems or high or low blood pressure, unless
advised by the experts in the field. During Pranayam,
the bandh is to be observed after Pooraka. Rechaka is to
be practiced after Kumbhaka, after releasing the bandh.
Rechaka should not be observed while being in this
bandh.
References in the ancient texts :
The bandh
has been described in Hathapradeepika in the third
chapter as under :
Kanthamakunchya hridaye sthapayechhibukam dridham |
Bandho jalandharakhyoyam jaramrituvinashakah || H P 3-70
Badhnani hi shirajalam adhogami nabhojalam |
Tato jalandharo badhah kanthadukkhahoghanashanah || H P
3-71
Meaning :
The chin is
to be pressed on the chest after contracting the throat.
This bandh eliminates old age and death. The contracted
veins in the throat ensure that the liquid from the
skies is received here. Hence, the bandh has been
appropriately known as Jalandhar Bandh, which means that
it destroys any pain in the throat.
Gherandsamhita has also described the bandh as under :
Kanthasankochanam krutva chibukam hridaye nyaset |
Jalandharakrute bandhe shodashadharbandhanam |
Jalandharam mahamudra mrityoeach kshayakarini || G S
3-12
Meaning :
The chin is
to be pressed onto the heart after contracting the
throat. This Jalandhar Bandh supports sixteen types of
bandhas and destroys death.
Siddham
jalandharam bandham yoginam siddhidayakam |
Shanmasmabyaset yo hi sa siddho natra samshayah || G S
3-13
Meaning :
Jalandhar
Bandh is Swayamsiddha and the sadhaka who practices this
bandh for six months will, no doubt, achieve siddha
status.
In both the
texts, the description as well as the effects of the
bandh is more or less the same. Both the texts have
assured that the bandh causes destruction of old age and
death. Observing this bandh gives peace and calmness to
both, the heart and the mind. This in turn increases the
lifetime of the sadhaka.
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