Aum Namah Sivaya Mantra

Article contributed by Pandit Sanjay Rath
http://srath.com

 

 

 

Païcäkñari mantra (Aum Namah Sivaya)

Introduction

The païcäkñari mantra is taught in the Çivä puräëa as consisting of five (païca) syllables (akñara) that are (1) na, (2) ma, (3) çi, (4) vä and (5) ya. To form the mantra ‘namaù çiväya’. OM the praëava is normally not added to this otherwise it gets transformed into the çaòäkñari mantra ‘om namaù çiväya’. Çré Mahämedhänanda is of the opinion that the çaòäkñari mantra ‘om namaù çiväya’ is to be recited by the spiritual aspirants who wish to renounce all the fruits of the material world, perhaps hinting at renunciation. The païcäkñari mantra ‘namaù çiväya’ is the one that is recommended for all people by both the Çiva puräëa as well as Ädi Çaìkara. The Çivä puräëa further advises that the mantra that is to recited by those initiated is ‘namaù çiväya’ while for those who have not been initiated, the mantra is reversed and is ‘çiväya namaù’.

Païcäkñari vs Çaòäkñara

Sanjay Rath writes1 , "The base of the liìgaà represents Brahma, the middle portion represents Viñëu the Lord of the three worlds (bhu, bhuva and svaù). Mahädeva is the portion just above the middle and the hemispherical top represents Sadäçiva and praëava (om). The base of the liìgaà in the form of a yoni is Mahädevé and the liìgaà is the perfect symbol of Maheçvara. Thus, worship of the liìgaà everyday is akin to worship of all the deva and devé (all deities). These five deities {Brahma, Viñëu, Mahädeva (Shiva), Sadäçiva (om) and Mahädevé (Ädi-çakti} are represented by the five parts of the symbol of OM (`) as Brahma is represented by A (A), Viñëu by U (%), Çiva by M (m), Sadäçiva by the crescent Moon called "näda" and Ädi-çakti by the dot over the crescent Moon called "bindu"2 . Thus, the sükñma (subtle) païcäkñari mantra representing the liìgaà is a - u - ma -näda - bindu (A - % - m -nad - ibNÊ) which, due to the effect of präkåti is transformed into the sthüla (material) païcäkñari mantra na – ma – çi – vä – ya. Thus, the païcäkñari mantra is the repository of all knowledge as it represents the praëava (om) in the form of a liìgaà.

Mahämedhänandanätha (better know is the Jyotiça circles as Çré Dukhiçyäm Patnaik explains that since the païcäkñari mantra is actually evolved from präkåti and is in "sthüla" (bodily) form, it blesses the worshipper with all the bounties of nature but lacks the power to give emancipation. Hence, he advises people to become strong and to give up attachment by using the çaòäkñara mantra (om namaù çiväya), which has praëava in the beginning.

This meaning of the çaòäkñara mantra has been explained by the saint and author or Rämäyaëa Çré Tulsidas as:

` nm> izvay gaErIz»ray mhadevay nmae nm>,
mdnaNtkay mui´ àday ïImdœ z»ray nmae nm>.
om namaù çiväya gauréçaìkaräya mahädeväya namo namaù
madanäntakäya mukti pradäya çrémad çaìkaräya namo namaù

Translation: ‘om namaù çiväya’ - we jointly worship Gauré (Çakti) and Çaìkara (Çiva) [in the form of the liìgaà]. He is Mahädeva and the destroyer of Madana (Käma devatä or the god of love - symbolic of all desire) thereby giving mukti (freedom) from the bondage of rebirth as well as sorrow, which stems from desire. By this, he is the revered Çaìkara (çaì means maëgala or all that is good and kara means doer or benefactor)."

The proof of the païcäkñari mantra can be understood from the däridrya dahana stotra of Mahäåñi Vaçiñöha which constantly repeats "däridrya duùkha-dahanäya namaù çiväya" i.e. the remedy to remove poverty (däridrya) and sorrow (duùkha) is the païcäkñari mantra (namaù çiväya).

In view of the above clear expositions of the benefits of the païcäkñari and çaòäkñara mantras, unless a person has already chosen the spiritual path and renounced life, or has been given one of these mantra by his dikña guru, we would recommend the païcäkñari mantra as a prasiddha mantra for daily practise. This view is supported by Ädi Çaìkara in the Païcäkñari stotra.

The Çiva liìgaà is made of two parts called the yoni (base) and the liìgaà (egg shaped top). The Çiva liìgaà used for daily püja at home can be of various materials like black stone, sand stone or metals like copper, silver or crystal. Ideally the Çiva liìgaà should be chosen from the ätmakäraka planet in the chart. Sun – copper, Moon – crystal, Mars – sandstone, Mercury & Jupiter – gold, Venus – silver, Saturn & Rahu – black stone. In reality this does not make much difference and what matters is your spiritual disciplene. Often the yoni (base in the shape of the female organ) is made of metals like brass or gold (wealth) and silver (happy marriage) while the egg shaped liìgaà is made of crystal or back stone or various gems etc, that is placed inside the yoni for the prayers.

Direction of room

The direction of the room shall depend on the individual horoscope. The direction is known from the highest number of dots in the BAV (bhinnäñöakavarga) of the Sun, after sodhana. Fire signs indicate east, water signs indicate north, air signs indicate west and earth signs indicate south. The Çiva liìgaà established in this manner shall not only give wealth, prosperity, peace and happiness but will also cause growth in spirituality. If you are unable to do this calculation, prefer the northeast corner of the house.

The Çiva liìgaà is to be placed on a wooden table or elevated platform above the floor level. The worshipper is expected to face either east or north while performing the püja of the Çiva liìgaà. If the worshipper faces east, then the yoni of the liìgaà should be facing north and if the worshipper faces north, then the yoni should face east. Use a compass to establish the directions properly so that while worshipping, the side profile is visible.

Püja (the worship)

Details of the püja can be learnt form standard literature. Sit cross-legged in sukha äsana or padma äsana. Use a rudräkña rosary of 108 beads for counting. The beads in the mälä (rosary) should be of the same variety and mixed beads should not be used for counting. Mixed beads can be used for wearing like alternate beads of gold or crystal and rudräkña.

 

Åñi nyäsa

Åñi (nyäsa) is the giver of the mantra. As such the nyäsa consists of placing the five important constituents of the Mantra in five parts of the body.

    · The Åñi (sage/seer) is seated on the çira (head);
    · The chanda (grammatical rendering of the mantra) is seated on the mukha (face);
    · The devatä (deity) is seated in the hådaya (heart);
    · The Béja (seed syllable or phoneme that led to the revelation/ birth of the mantra) is seated in the guhya (private parts which is the seat of creation);
    · The Çakti (active power that directs the karma and also the gaté or movement of the individual for the same) of the mantra is seated in the Pada (feet which determines the direction of movement and the places one visits).

The first nyäsa is the reverence to the seer (åñi) who revealed the mantra, the metre (chanda) that causes the mantra to be effective through resonance and to the deity (devatä) Who is the object or the goal. As such the nyäsa consists of placing the five important constituents of the mantra in five parts of the body.

    · Touch the heart and recite the prayer for Lord Çivä as Éçänä, the teacher.

` ` ùdyay #zan devtayE nm>,
om om hådayäya içäna devatäyai namaù|

    · Touch the head with the fingers of the right hand and recite the following prayer to the seer ‘vämadeva åñi’ who taught the mantra for the first time.

` n< izrse vamdev \:ye nm>,
om naà çirase vämadeva åñye namaù|

Translation: obeisances to vämadeva åñi (the seer of the mantra); may he sit on the head (and guide my intellect).

    · Touch the mouth and recite the prayer for the phaìkti metre to be established.

` m< muoe )iN´ cNdse nm>,
om maà mukhe phankti candase namaù|

    · Touch the privaties and recite the prayer for the creative power of the mantra. It is the seed that leads to the revelation of the mantra or the creation. The béja for the Çivä païcäkñari mantra is ‘om’ which is considered the sükñma (subtle) païcäkñari and from which the gross/ manifested païcäkñari has evolved.

` iz< guýe ` bIjay nm>,
om çià guhye om béjäya namaù

    · Touch the knees and recite the prayer.

` va< guýe ` bIjay nm>,
om väà guhye om béjäya namaù|

    · Touch the feet and recite the prayer.

` y< padyae ÿI— z´ye nm>,
om yaà pädayo hréà çaktaye namaù|

Aìga (body) & kara (hands/fingers) nyäsa

The second nyäsa is the establishment of the syllables of the mantra in the various spiritual centers called cakra in the body and the fingers which are the points for the exchange of spiritual energies. By doing so the person becomes equal to a åñi and the mantra practise gives great spiritual insight

Touch each of the four fingers with the thumb, and the thumb with the index finger at the cakra points and recite the five following mantra as you do so in both the hands.

` ` A¼‚òa_ya< nm>,
om om aìguñöäbhyäà namaù|
` n< tjRnI_ya< Svah,
om naà tarjanébhyäà sväha|
` m< mXyma_ya< v;qœ,
om maà madhyamäbhyäà vañaö|
` iz< Anaimka_ya< ÷<,
om çim anämikäbhyäà huà|
` va< kinióka_ya< vaE;qœ,
om väà kaniñöhikäbhyäà vauñaö|
` y< krtlkrp&óa_ya< )qœ,
om yaà karatalakarapåñöhäbhyäà phaö|

Touch the body parts from the heart, head etc and recite the following mantras.

` ` ùdyay nm>,
om om hådayäya namaù|
` n< izrse Svah,
om naà çirase sväha|
` m< izoayE v;qœ,
om maà çikhäyai vañaö|
` iz< kvcay ÷<,
om çià kavacäya huà|
` va< neÇÇyay vaE;qœ,
om väà netratrayäya vauñaö|
` y< Aôay )qœ,
om yam asträya phaö|

Dhyäna (meditation on form)

XyayeiÚTy< mhez< rjt igirinÉ< caécNÔavt< sm!,
rÆakLpaeJJvla¼ przu m&gmipvraÉIithSt< àsÚm!.
pÒasIn< smNtat! Stutmmrg[EVyaRºk«t< vsanm!,
ivña*< ivñbIj< iniol Éyhr< pÂv³< iÇneÇm!.
dhyäyennityaà maheçaà rajata girinibhaà cärucandrävataà sam
ratnäkalpojjvaläìga paraçu mågamapivaräbhétihastaà prasannam
padmäsénaà samantät stutamamaragaëairvyäghrakåtaà vasänam
viçvädyaà viçvabéjaà nikhila bhayaharaà païcavakraà trinetram

Japa (Repetition)

Using the rudräkña rosary, the païcäkñari mantra should be recited 108 times or in multiples of 108.

nm> izvay,
namaù çiväya

How to count

Çiva Puräëa states that counting of the mantra (repetitions) can be done with the fingers while the use of lines (rekhä) is considered eight times more effective. Rosary of putrajéva seeds is said to be is ten times more effective than counting with fingers. The other materials/seeds and their effectiveness include - saìkha (conch): 100 times; muìgä (coral): 1000 times; sphatik (crystal): 10,000 times; moti (pearl): 100,000 times; padmäkña (lotus seed): 1,000,000 times; suvarëa (gold beads): 10,000,000 times; kuça (grass joints) or rudräkña: unlimited. (More on the rudräkña and OM-kära japa in the next issue).

Mälä (rosary)

Special use

No. of beads results

30 wealth

27 prosperity & satisfaction

25 mokña

15 removal of black magic, bädhaka etc.

These mälä should be used only for the purposes stated above. These are small mälä and can be carried around in ones pocket and are very convenient for regular use for those engrossed in mundane life.

Spiritual use

108 excellent

100 good

50 fair (not advised)

54 mental bliss and best (sreñöha)

These mälä are to be used for the purpose of spiritual growth and insight. The mälä is to be left near the place of worship and should not be carried around unless it is being carried around in a bag meant for the purpose. The mälä to be worn in the neck also belongs to this category/number of beads. The mälä that is worn in the neck should not be used for japa (counting). Other things should be learnt from one’s spiritual master.

Counting method

Use of fingers for counting/pushing beads

Finger Used for

Aìguñöä (thumb) mokña

Tarjané (index) enmity, black magic etc.

Madhyama wealth

(middle finger)

Anämika (ring) peace

Kaniñöhikä (little) various perpetual benefit

Païca vakra Çivä

The five heads (païca vakra) of Lord Çivä are symbolized by the five akñara of the païcäkñari mantra. For those who can establish a kalaça (water pot) the following mantras are given for establishing the mantra in the kalaça. Water consecrated with these mantras can be used to ward off the worst evils like brahma rakñasa, piçaca etc.

Kalaça (establishing Çivä)

` n< $zanay nm> $zan< Swapyaim,
om nam éçänäya namaù éçänaà sthäpayämi|
` m< tTpué;ay nm> tTpué;< Swapyaim,
om maà tatpuruñäya namaù tatpuruñaà sthäpayämi|
` iz< A"aeray nm> A"aer< Swapyaim,
om çim aghoräya namaù aghoraà sthäpayämi|
` va< vamdevay nm> vamdev< Swapyaim,
om väà vämadeväya namaù vämadevaà sthäpayämi|
` y< s*aejatay nm> s*aejat< Swapyaim,
om yaà sadyojätäya namaù sadyojätaà sthäpayämi|

tatva mantra

` n< Vyaeméip[I— zaNTytItklayE nm>,
om naà vyomarupiëéà çäntyatétakaläyai namaù|
` m< vayuéip[I— zaiNtklayE nm>,
om maà väyurupiëéà çäntikaläyai namaù|
` iz< tejaeéip[I— iv*aklayE nm>,
om çià tejorupiëéà vidyäkaläyai namaù|
` va< jléip[I— àitóaklayE nm>,
om väà jalarupiëéà pratiñöhäkaläyai namaù|
` y< p&iWvéip[I— inv&iÄklayE nm>,
om yaà påthvirupiëéà nivåttikaläyai namaù|

The following mantras are used for the removal of tatva doça or flaws caused by an imbalance of the tatva. This can be used for healing, material gains and all purposes since the entire universe has manifested through these five tatva.

Äkäça tatva
` h< $zanay nm>,
om haà éçänäya namaù|
Väyu tatva
` y< tTpué;ay nm>,
om yaà tatpuruñäya namaù|
Agni tatva
` r< A"aeray nm>,
om raà aghoräya namaù|
Jala tatva
` v< vamdevay nm>,
om vaà vämadeväya namaù|
Påthvi tatva
` l< s*aejatay nm>,
om laà sadyojätäya namaù|
 

References

1. Rath, Sanjay; Vedic remedies in Astrology, Sagar Publications, New Delhi.

2. Poddar, Hanuman Prasad; Shiva Purana; Gita Press, Gorakhpur (Hindi).

 

 

 

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